Don DeLillo Quotes

A writer takes earnest measures to secure his solitude and then finds endless ways to squander it.

The true life is not reducible to words spoken or written, not by anyone, ever.

When birds look into houses, what impossible worlds they see.

The true life is not reducible to words spoken or written, not by anyone, ever. The true life takes place when we're alone, thinking, feeling, lost in memory, dreamingly self-aware, the submicroscopic moments.

Everything's a scandal. Dying's a scandal. But we all do it.

Too much has been forgotten in the name of memory.

I used to think it was possible for an artist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory.

Why shouldn't the death of a person you love bring you into lurid ruin? You don't know how to love the one you love until they disappear abruptly. Then you understand how thinly distanced from their suffering, how sparing of self you often were, only rarely unguarded of heart, working your networks of give-and-take.

There's always a period of curious fear between the first sweet-smelling breeze and the time when the rain comes cracking down.

And what's the point of waking up in the morning if you don't try to match the enormousness of the known forces in the world with something powerful in your own life?

You have to break through the structure of your own stonework habit just to make yourself listen.

Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.

The future is always a wholeness, a sameness. We're all tall and happy there,' she said. 'This is why the future fails. It always fails. It can never be the cruel happy place we want to make it.

Californians invented the concept of life-style. This alone warrants their doom.

People will not die. Isn't this the creed of the new culture? People will be absorbed in streams of information. I know nothing about this. Computers will die. They're dying in their present form. They're just about dead as distinct units.

It occured to me that eating is the only form of professionalism most people ever attain.

If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.

If we are on the outside, we assume a conspiracy is the perfect working of a scheme. Silent nameless men with unadorned hearts. A conspiracy is everything that ordinary life is not. It's the inside game, cold, sure, undistracted, forever closed off to us. We are the flawed ones, the innocents, trying to make some rough sense of the daily jostle. Conspirators have a logic and a daring beyond our reach. All conspiracies are the same taut story of men who find coherence in some criminal act.

Don't you realize that as long as you have to sit down to pee, you'll never be a dominant force in the world? You'll never be a convincing technocrat or middle manager. Because people will know. She's in there sitting down.

The figure of the gunman in the window was inextricable from the victim and his history. This sustained Oswald in his cell. It gave him what he needed to live. The more time he spent in a cell, the stronger he would get. Everybody knew who he was now.

America is the world's living myth. There's no sense of wrong when you kill an American or blame America for some local disaster. This is our function, to be character types, to embody recurring themes that people can use to comfort themselves, justify themselves and so on. We're here to accommodate. Whatever people need, we provide. A myth is a useful thing.

Men with secrets tend to be drawn to each other, not because they want to share what they know but because they need the company of the like-minded, the fellow afflicted.

I think it's only in a crisis that Americans see other people. It has to be an American crisis, of course. If two countries fight that do not supply the Americans with some precious commodity, then the education of the public does not take place. But when the dictator falls, when the oil is threatened, then you turn on the television and they tell you where the country is, what the language is, how to pronounce the names of the leaders, what the religion is all about, and maybe you can cut out recipes in the newspaper of Persian dishes.

Hardship makes the world obscure.